‘Tristan und Isolde’ at the Met Opera Has a Troubling Problem
The New York Times • • entertainment
Key Points:
- The new production of Wagner’s “Tristan und Isolde” at the Metropolitan Opera has received mixed reactions, with some viewers finding the singers too quiet and the orchestra too loud.
- The reviewer initially gave a largely positive assessment of the cast and orchestra but revisited the performance to consider these criticisms.
- Upon re-watching from the same Orchestra level seats, the reviewer found the sound improved, praising tenor Michael Spyres and soprano Lise Davidsen, and noting the orchestra was occasionally too loud but not overpowering.
- To understand the audience perspective better, the reviewer also attended a performance from the Balcony, known for its affordable seats and devoted fans, where the sound traditionally blends well.
- This approach highlights how seating location can significantly affect the auditory experience of an opera at the Met.
